The song of Mary is the oldest Advent hymn. It is at once the most passionate, the wildest, one might even say the most revolutionary Advent hymn ever sung. This is not the gentle, tender, dreamy Mary whom we sometimes see in paintings.…This song has none of the sweet, nostalgic, or even playful tones of some of our Christmas carols. It is instead a hard, strong, inexorable song about the power of God and the powerlessness of humankind. — Dietrich Bonhoeffer, Advent sermon, http://enemylove.com/subversive-magnificat-mary-expected-messiah-to-be-like/
Jesus was born to be a marginal person. He was conceived by Mary when she was unwed .… Thus, while the birth of Jesus to Mary was divinely justified, it was nevertheless socially condemned. Jesus, as well as his parents, was marginalised from the time of his conception. — Jung Young Lee, Marginality: The Key to Multicultural Theology (Minneapolis: Fortress, 1995), 79
This is one of the very few passages of scripture in which only women appear. It may be the only one in the New Testament; the only other one in all scripture that I can think of is the story of Ruth, where Ruth, her mother-in-law Naomi and sister-in-law Orpah are heading out of Moab towards Bethlehem. Orpah, of course, returns to Moab but Ruth goes on with Naomi.
But today, we have Elizabeth and Mary. As I said, alone. No man in sight. And really, men are given scarce credit for this scenario.
You know, if Luke chapter 1 were a film, Mary would be the star and Elizabeth her co-star. Her husband Zechariah would be a supporting actor and poor Joseph would be an extra. With his name in very small print.